In his second piece for GRC, Ng Yi-Sheng goes shopping. Analysing our stratified relationships with malls—whether loved or reviled, avoided or embraced so you can dry your sweat in sub-zero-air-con, he puts this questionable symbol of the Singaporean public on display.
CCP participant Jaclyn Chong grapples with the feminist qualities emerging from her project and resolves to take agency over her performing body as an act of rebellion against power structures that seek to alienate and repress female bodies.
ila reflects on her time in the Concerned Citizens Programme thus far, and shares her thoughts on community building, restorative justice, and building concentric circles of affinities within the arts.
In his second piece for GRC, Sharaad Kuttan reviews Merdeka, Wild Rice’s latest offering by Alfian Sa’at and Neo Hai Bin. Unpacking the histories of decolonisation in the region alongside the historical vignettes re-enacted and referenced in the play, Sharaad questions the ongoing drive to decolonise, (staged) acts of historical relativism, and what remains of the national narrative.
Join CCP participants Amanda Lim and Jocelyn Chng in two separate walks as they ponder and question how differences in geographical environment and social-economic background can influence the way we interact with public space.
A trip to the Malay Heritage Centre inspires CCP participant Mysara Aljaru to create an alternative history tour—one that she hopes would encourage members of the Malay community to take ownership in reclaiming their past and defining their own future.
For her second blog contribution, CCP participant Mumtaz Md Kadir takes a deep dive into the definition of the word “activism”, and imagines other ways in which activism can be carried out by individuals and organisations.
As we come to the midpoint of the Concerned Citizens Programme, participant Kristian-Marc James Paul mulls over the numerous possibilities in which he can consolidate and present his research on masculinity, and opens up about the challenges in organising safe spaces for inclusive dialogue.
In his second GRC piece, Alfonse Chiu deconstructs performativity—of an ostensibly passionate public, and the reality of regulations that corral the humble street performer. Tracing the ethos of street performance alongside the state’s designs on a cultural economy, Alfonse contextures an aural fabric of what is creatively permissible and marketable in this global arts city.
In her second piece, GRC writer Akanksha Raja discusses the Singapore Climate Rally—a decidedly non-protest held last month in Hong Lim Park—to address this generation’s approach to the larger, geopolitical conversation on climate crisis, as well as the ambivalent responses from our local public. Positing notions of what advocacy and activism could mean in a place like this, she asks where the public and pragmatic coincide.